MSU BROAD
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Visual Citizenship

Feb. 22, 2020 – Jan. 10, 2021

Collection Gallery

Ken Gonzales-Day, <i>Lynching of Thomas Shipp and Abraham S. Smith, Marion, IN, 1930</i>, from <i>Erased Lynchings,</i> 2006–2019. Courtesy the artist and Luis De Jesus Los Angeles.

Ken Gonzales-Day, Lynching of Thomas Shipp and Abraham S. Smith, Marion, IN, 1930, from Erased Lynchings, 2006–2019. Courtesy the artist and Luis De Jesus Los Angeles.

Ken Gonzales-Day, <i>Lynching of Thomas Shipp and Abraham S. Smith, Marion, IN, 1930</i>, from <i>Erased Lynchings,</i> 2006–2019. Courtesy the artist and Luis De Jesus Los Angeles.

William Hogarth, Canvassing for Votes, Plate II: Four Prints of an Election, 1757. Eli and Edythe Broad Art Museum, Michigan State University, purchase.

Ken Gonzales-Day, <i>Lynching of Thomas Shipp and Abraham S. Smith, Marion, IN, 1930</i>, from <i>Erased Lynchings,</i> 2006–2019. Courtesy the artist and Luis De Jesus Los Angeles.

Ewing Galloway Inc. Application for Naturalization Taken under Oath, 1920s–30s. Eli and Edythe Broad Art Museum, Michigan State University, gift of Mark Jacobson.

Ken Gonzales-Day, <i>Lynching of Thomas Shipp and Abraham S. Smith, Marion, IN, 1930</i>, from <i>Erased Lynchings,</i> 2006–2019. Courtesy the artist and Luis De Jesus Los Angeles.

Leonard Freed, Washington D.C., USA (20 Years Later March, 8–27–1983), 1983. Courtesy Special Collections, Michigan State University Libraries.

Citizenship is generally understood as a political status: a set of rights possessed by privileged individuals and administered by a government. But the creation and consumption of visual images has been crucial in expanding this rather narrow, legal reading of citizenship into a more inclusive cultural category of belonging. The ease with which technologically (re)produced images—prints and photographs—can be disseminated enables remote spectators to form communities outside of political definitions. Visual Citizenship takes its title from scholar Ariella Azoulay, who defines the term as a practice in which reading images is an active civic skill rather than a passive aesthetic experience. When we, as spectators, engage with images, we can recognize the subjects of those images as fellow citizens. And in doing so, we move closer to realizing a collective humanity that defies nationalistic modes of citizenship.

The exhibition gathers prints and photographs from the MSU Broad collection that depict political events and social movements in which human rights are variously enacted and violated. The works prompt us to reconsider citizenship within and beyond our relationship to state power: Who defines what it means to be a citizen, and who is absented from that discussion? What role does the circulation of images play in the creation of community? Visual Citizenship challenges visitors to engage with images as tools of civic participation and political action.

Visual Citizenship is organized by the Eli and Edythe Broad Art Museum at Michigan State University and curated by Georgia Erger, Assistant Curator. Support for this exhibition is provided by the Eli and Edythe Broad endowed exhibitions fund.

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Educator Workshop: Be/Longing + Placekeeping

Saturday, February 29, 9am–12pm